Darkness-embracing

Darkness-embracing describes a state of being, a philosophy, or a character that actively seeks out, welcomes, or thrives within darkness, obscurity, or the absence of light. It suggests a comfort level with the unknown, the mysterious, and potentially dangerous aspects of the world. This embrace can manifest in a variety of ways: through a fascination with the occult, a tendency toward secretive behavior, a predilection for nighttime activities, a fondness for somber aesthetics, or a deep-seated acceptance of the shadow self and the darker aspects of human nature. It implies a rejection or challenge to the societal norms that typically prioritize light, visibility, and open disclosure. Individuals or entities embracing darkness may find solace, power, or a unique perspective within its depths. They're not just passive in the dark, but they actively pursue and incorporate darkness into their lives.

Darkness-embracing meaning with examples

• The gothic novel's protagonist, a darkness-embracing figure, reveled in the moonlit graveyards and whispered secrets of the ancient manor. His fascination with the occult and shadowed corners of history formed his entire being, he found the sunlight to be an annoyance. He saw beauty and potential, but few else did. To others, he was dangerous.
• In the realm of the ancient cult, the ritual involved a darkness-embracing ceremony, where the participants sought to commune with entities from the shadowy depths of the universe. They would gather in a crypt, extinguish any light, and engage in chants.
• The artist, drawn to the melancholic, painted only in dim hues, creating portraits of figures lost in contemplation, exuding a darkness-embracing style. They felt only at ease in the absence of light, viewing the bright world as artificial and superficial.
• The detective was a darkness-embracing investigator; he preferred to work the night shift, haunted by the unsolved cases and the city's underworld. He found the world to only appear when the cover of night came and the criminals did too. The light was for those who had not yet experienced evil.
• The character's philosophy was fundamentally darkness-embracing, finding truth not in clarity but in the obscured mysteries, acknowledging both the brilliance and the tragedy of existence. They knew the good was only as good as the bad. They sought to embrace it all, knowing that the shadow was required.