Non-intervallic

Describing musical compositions, melodic phrases, or harmonic structures that do not primarily rely on distinct, identifiable intervals (the distance between two notes) for their construction. It contrasts with music that emphasizes specific, melodic or harmonic interval relationships. Instead, non-intervallic music may focus on other aspects, such as textural density, timbral variety, microtonal inflections, or the overall sound mass, creating an effect not based on predictable or clearly defined intervals.

Non-intervallic meaning with examples

• The composer's exploration of noise-based soundscapes employed a non-intervallic approach. Traditional melodic expectations were absent. Instead, focus was centered on the shifting interplay of sonic textures. This unconventional method challenged the listener's perception of harmony and melody, focusing on timbral variety and overall sound.
• Modern experimental pieces often utilize a non-intervallic framework. Harmonies and melodies stray from common Western tuning. The composer created intricate webs of overlapping sounds. This allows for a greater freedom to explore unusual textures, such as the rustle of papers or the screeching of metal.
• Analyzing the score, we found that the composition's structure used a non-intervallic approach. The overall mood, the orchestration, and dynamic variations carried the piece, not specific pitch relationships. This was an intentional stylistic departure from traditional romantic compositions.
• Some aleatoric music is inherently non-intervallic because it embraces chance and indeterminacy. The performance's texture becomes paramount. The composer may instruct certain instrumentalists to choose a non-intervallic route for their performance. This contributes to a unique and ever-changing soundscape.
• Unlike Baroque music, this piece uses a non-intervallic progression to create a feeling of unease. The dissonance builds gradually over time, creating a unique sound. This non-traditional approach is the primary element, as it is less focused on traditional harmony or melodic progression and focuses more on creating soundscapes.